However, South Africa has problems with overpopulation, so the leather comes from the government mandated culling. The kudu antilope has never been domesticated, so all the animals are wild. I've gone for a variant made with kudu leather, which by the way seems like one of the more ethical types of leather. The regular model has full-grain calfskin. They’ve saved the best leather for the uppers. This increases the longevity and decreases slippage. There’s also a clever detail at the heel: They’ve added a second layer of leather, with the rough side out. In addition, you’ll get the soles in the picture below (sorry, picture didn't work on Imgur!) and also another layer of foam you can put under it if you want to raise your foot even more.īoth the inside soles and the entire inside of the shoes are covered in comfortable leather. On top of this, there’s a thick piece of fibreboard, that’ll adapt to the shape of your footbed. Inside it there’s a layer of foam that wicks sweat and stops squeaking. The materials and construction are also rock solid:Īt the bottom you have a great rubber sole, that can be replaced time after time as needed. They can also accommodate custom wishes, like making them wider (great for me!) or adding text on the inside. All their shoes are mad to order, so there’s no overproduction to speak of. This brand has been making hand made shoes in Northampton, England for over 100 years. In this article, I’d like to point at a brand that gives you a more premium sneaker, at a (slightly) lower price. The YouTube channel Rose Anvil goes into detail in this video, but the short version is that, while the shoes have some premium features, both the material and construction is pretty mediocre. With a more modern, minimalistic design, Italian leather and good Margom rubber soles, they aren’t cheap.īut when you pay well over £300 for a pair of Italian designer shoes, you can expect excellent quality, right? Well, it’s superior to the Stan Smiths, but for the price you could do better. In later years, Common Projects, with their golden lettering, has taken the sneaker world by storm. They can’t be fixed, uses synthetic materials and someone would prefer a bit more modern design. They are good-looking shoes, but where the earlier versions were made in France and had high quality, you can’t quite say the same about the newer ones made in India. The World's Best Sneakers?Īdidas has made their Stan Smiths since the 70s, and you can see them everywhere all summer. Pictures(!): link to all pictures used in the post.10 of them taken by me, showing off regular Overstone Derby and TL - in both calfskin and kudu leather. I have no ads or anything on the blog, so it doesn't matter to me where you read. Thought I'd share the post here, in full, and you can view it on my blog if you want that experience (a lot of, properly embedded, pictures!). This is my first post of this type, but I just started a blog writing about, among other things, slow fashion and proper clothes. So at the end of the day, I still have to care "how rewarding" something is.Crown Northampton Sneakers in kudu leather (and the butt of Vincent the eurasier) Unfortunately, even with my approach, it still affects me when the greater playerbase expects a certain reward (blu raid mount 2.0) or reward structure (criterion being involved in gearing in some way) because it affects the overall amount of participants which affects my ability to find groups or fill party finders to actually do the content even if I'm happy to do it for it's own sake. Yes, getting a cool looking mount is nice, and I am not saying I would want the game to be like an endless sea of untextured grey placeholder models to play game mechanics in, but it is the moment to moment gameplay of clearing raid bosses and stuff that's the actually rewarding, memorable, and fun part, not what my speed-boosting flight-enabling tool looks like. I prefer a content-first approach to the game where rewards are secondary and somewhat incidental. This applies pretty well to the discourse about criterion, too.
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